After Swing Era: "New Testament" band 1952; April in Paris (1955): "Corner Pocket," "April in Paris"; Sinatra at the Sands (1966): "All of Me," "Fly Me to the Moon," "Makin Whoopee", Member of the Austin High Gang (white chicago); clarinetist who led one of the most commercially successful swing bands. The grey notes in the diagram form six other whole tone scales: B, C-sharp, D-sharp, F, G and A. I call this the yangscale. This is known as, The ensemble performing "Now's the Time" is, The pianist on this recording of "Tempus Fugue-It" is, This now-popular type of ensemble, performing "Tempus Fugue-It" and pioneered by the pianist, is known as a, This composed-out portion of "Tempus Fugue-It" is known as, In the beginning of "Tempus Fugue-It," the pianist, Cool jazz derived its fondness for restrained timbre and light vibrato from. Instead, he trips and stumbles and staggers through the meter, yet somehow he always lands precisely where he intends to. What does the term M-Base stand for, and what does it mean? In other words, he uses organic and asymmetrical rhythms to transform a dry, academic-sounding concept into the funkiest music youve ever heard. - combined blues and ragtime The musical genre that emerged on the East Coast and featured a heavier, impassioned timbre is known as. he incorporated KC blues into the new bebop language, adding a new quality to bebop. COOL JAZZ You have major and minor colliding, unresolved tritones that nevertheless sound at rest, and blue notes that are out of tune by Western standards. The recording takes place in an informal, jam-session environment, suggesting that "A Night in Tunisia" should be thought of as part of the ____ tradition, The tenor sax player heard in "Autumn Nocturne" is, The female vocalist on this recording of "Blue Skies" is, This excerpt of "Blue Skies" prominently features, During this excerpt of "Blue Skies," the vocalist, sings with great range and pitch accuracy. -Big band swing, 24 bar pop song. Cymbals and tom-toms used. Explain. - moved away from standard comping: fewer chord changes, metric displacement He started the pieces to set the tempo. - believed in free jazz as an extension of what had come before He composed convoluted melodies over standard chord changes. In 1998, senator John Glenn participated in a Nasa mission. In measure 24, Monk finally resolves to the expected F7 chord, but with a classic Monk-ian cluster voicing that hammers out B naturals in octaves. Lindsey_Nance1. Jimmy Rushing on vocals. Both 33 1/3- and 45-rpm vinyl records were accepted quickly. Music 32 Final Flashcards | Chegg.com Because of this, musicians who learn jazz in college are knowledgeable in all styles of jazz rather than focusing on just one. How was the social turmoil of the 1960s reflected in jazz? Which composer does this describe: worked with conventional forms; added elements of gospel, ragtime, and classical music; and expanded forms into longer works? -Gil Evans radically transformed the work of other composers. Why did John Coltrane refer to the addition of bassist Jimmy Harrison to the group as "a turning point" for the quintet? John Coltrane signaled his interest in modal jazz by recording a 15-minute version of the following Broadway tune, reducing its harmony to a few chords over a pedal point: "Chasin' the Trane," John Coltrane's first foray into the avant-garde, makes relentless use of the following technique: John Coltrane's A Love Supreme is unusual in that it, is divided into four "movements" with abstract titles (e.g., "Acknowledgement"), With his 1965 album Ascension, John Coltrane made clear his adherence to, The style of music on Miles Davis's 1960s albums like E.S.P., which expressed a balance between the conventions of modern jazz and the free-wheeling jazz avant-garde, is known as. Dexter Gordon's first stylistic influence was_____ ; there he switched his allegiance to_____ . These passions also dominate her novels. catchy melodies that seem familiar and new at the same time, When Clifford Brown was said to "have it all", this included all of the following except, The impact of the Miles Davis Nonet's music was not felt strongly until the release of the 1954 album titled. He actively performs around the New York metropolitan area and is the author of the Hal Leonard publication "Visual . Underline three times ()(\equiv)() each letter that should be capitalized. When the chord changes to G7 in measure 19, Monk shifts the F-sharp at the end of the riff to F natural, implying the yang scale. Who is the trumpet soloist on this recording of "A Night in Tunisia"? - very slow harmonic rhythm based on modes Ellington's co-composer and close friend- assimilated Ellington's style so much that it can be difficult to tell whose it is. Wrote musical ideas in isolation and composed in collaboration with other musicians. Cool Jazz: 9 ppl; relaxed tempos; introspective improv- lyricism over virtuosity, greater use of musical space; greater compositional complexity- expanded harmonic palate, unorthodox phrases and meter changes. The last chorus contains a riff that Thelonious Monk later used for his composition "Rhythm-a-ning." 32-bar AABA form. Ellington rewrote long versions of old pieces and wrote film music. Chapter 53 INQUIZITIVE Listening Activity.docx - Course Hero Arthur believed that the situation was ?\underline{? Hard bop bands kept the mainstream jazz audience engaged by emphasizing. Among the pioneers of bebop was this jazz pianist, who applied the virtuosic style of Charlie Parker and Dizzy Gillespie to the piano: his beret, goatee, and unusually shaped trumpet Casual arrangement, specialized in head arrangements that were created collectively and passed down orally. Singular: There is\underline{\text{is}}is a pleasure\underline{\text{pleasure}}pleasure in the pathless woods, This was a comeback. June 9, 2022 . After Duke Ellington, who of the following is the most performed of all jazz composers? Kansas City swing. 1 LWBK942-FM.qxd 6/25/11 8:45 AM Page x . As the train gets . Its so wrong, its right! - contributed to Chicago jazz style As a bandleader, brought about the birth of the Swing Era with radio show. Count Basie=piano, Herschel Evans and Lester Young=tenor saxophones, Freddie Green=guitar, Walter Page=bass, and Jo Jones= drums. Started a band that played mostly head arrangements from their remnants in Kansas City. incorporated approaches from classical and popular music, Mechanical royalties from sales of a record are divided among all of the following, except, the instrumentalist or vocalist improvising on the recording. The alto saxophonist heard in this excerpt is, The bassist and composer heard in this listening example is, The harmonic dissonances, unusual scales, open form, and heavy reliance on ostinato suggest that this piece was composed by, The main theme of this piece is based on a repetition of the. an abrupt two-note ending to a melodic line. Both the simple folk song and the complex electronic composition belong to the same activity, music. Played with Moten until his death, then own band. Hawkins version confirmed it as a jazz and pop standard. - hotter style that evolved into hard bop popular song arrangements can be more innovative a witty, genial stage persona, ______ is given credit for the new drumming technique known as "dropping bombs. Jazz Chapter 10 Listening Quiz. Rhythm is one of the most important features of poetry. FUSION Which of the following is one Charles Mingus's contributions to jazz? Peter and (them, they) are practicing skateboard tricks. Trombone and electric guitar Eddie Durham was an arranger. Music was a huge part of the cultural elevation as jazz was elevated from an entertainment to an art. The bassist was freed from keeping time to play strong melodic ideas, At the height of his career, John Coltrane played the _____ saxophone. Has Big Joe Turner's "shouts," Pete Johnson's percussive playing with boogie-woogie ostinato (piano), and the call-and-response exchange between the two. Published by at June 22, 2022. Changed from a practice that was influenced by European classical music (Third Stream) to one that mined the jazz past, including New Orleans polyphony, stride piano, breaks, cadenzas, and standard jazz and pop themes. All of the following are true of Wes Montgomery's pop recordings except. hard bop. Jazz Chapter 13 Flashcards | Quizlet Monks comping behind Charlie Rouse is even crazier. "Blue Rondo a la Turk" by the Dave Brubeck Quartet Although this musician was not a composer, he was someone who "elevated arranging virtually to the point of composition": George Russell's explorations of jazz theory helped pave the way for this jazz technique: Which composer was among the first to pay tribute in his music to great jazz musicians of the past, such as Lester Young and Jelly Roll Morton? the opening passage of rhythm a ning features quizletwilliam paterson university application fee waiver. The stressed and unstressed beats produce different results that make every poem different. [May 5, 1840.] The bass switches from an ostinato to a walking bass. The soloist featured on this selection is, This arrangement makes a musical reference to Jelly Roll Morton by, This brief introductory passage features a, This excerpt from a longer recording is known as. an interracial jam session in concert form. Across. They were part of a jazz quintet led by, The first two chords of "So What," built on the interval of the fourth, are known as, The style of improvisation heard in "So What," is, The tenor saxophone soloist on "Acknowledgement" is, On the highest notes in "Acknowledgement," the saxophone soloist, The saxophonist in "Acknowledgement" improvises by manipulating short fragments of melody. -Coleman Hawkins. Tommy sold Ray his car. HARD BOP in later years, he was known as "Philly Jo". Which of the following led the most popular group of the 1950's? What was the Harlem Renaissance, and what role did jazz play in it? - late 1960s/e. cabaret tax on venues with singing/dancing Other Quizlet sets. Had aristocratic sophistication in public persona. Bechet had shown Ellington New Orleans clarinet. Anthony Braxton/Max Roach: "Spirit Possession", - style: hard bop/fusion As a child, Thelonious Sphere Monk (1917-1982) could play anything he heard; as a teenager he played organ for a traveling evangelist.